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BSG

J. S. Bach: Stirb in mir (BWV 169 #5)

BSG

5:54	Est. Play Time
45	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto		30	0	12	2	100%
Viola		22	0	8	4	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cto		30	0	12	2	100%
Viola		22	0	8	4	100%
Violin 1		18	0	5	5	100%
Violin 2		21	0	9	4	100%
Alto		20	0	8	6	60%
Organ		26	0	9	6	60%

Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet

BSG

4:46	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	6	3	100%
Violin 1		23	0	8	8	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello		20	0	6	3	100%
Violin 1		23	0	8	8	100%
Violin 2		21	0	7	8	100%
Viola		18	0	6	8	96%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
Continuo		20	0	5	3	99%
Violoncello		20	0	5	3	99%
Tenors		10	0	0	6	45%

J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.

BSG

6:14	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
Violas		22	0	8	4	98%
Violins 1		19	0	6	7	98%
Violins 2		22	0	9	4	98%
Alto		17	0	6	7	75%

J.S. Bach: Fuga Gm (BWV 542.2)(rec. on Zwolle (1720 Schnitger, Sonus Paradisi/Hauptwerk))

BSG

6:33	Est. Play Time
115	Measures
	1,296Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		27	2	10	8	97%
		36	0	13	6	92%
		26	0	10	6	58%

J.S. Bach: Kyrie II from B Minor Mass (BWV 232, #3)

BSG

4:32	Est. Play Time
59	Measures
	1,535Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vcl/Cb/Cto		26	57	9	6	99%
		23	0	8	6	100%
Contrabass		23	0	8	6	100%
Vcl/Cb.		23	0	8	6	100%
Tenor		17	0	7	6	97%
Viola		17	0	7	6	97%
Alto		17	0	7	5	86%
Violin 2		17	0	7	5	86%
Ob. d'Am		23	0	9	5	85%
Flute		16	0	6	4	76%
Soprano		16	0	6	4	76%
Violin 1		16	0	6	4	76%
Bass		20	0	7	5	75%
Fagotto		20	0	7	5	75%

J.S. Bach: Was Gott tut...er wird mich nicht (BWV 100, #2)

BSG

3:33	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		25	0	8	2	100%
Contrabass		25	0	8	2	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		25	0	8	2	100%
Contrabass		25	0	8	2	100%
Realization		23	57	9	8	99%
Alto		18	0	7	7	83%
Tenor		18	0	6	6	83%

J. S. Bach: Siehe zu, daß deine Gottesfürcht nicht Heuchelei sei (BWV 179.1)

BSG

3:56	Est. Play Time
117	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cto. Real.		21	62	9	5	99%
Continuo		24	0	7	5	98%
Bass		20	0	7	5	91%
Tenor		17	0	6	6	90%
Soprano		17	0	6	5	88%
Alto		17	0	6	5	82%

J. S. Bach: Wir müssen durch viel Trübsal in das Reich Gottes eingehen (BWV 146, #2)

BSG

6:31	Est. Play Time
87	Measures
	2,959Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		25	0	9	3	100%
Pedal		25	0	9	3	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		25	0	9	3	100%
Pedal		25	0	9	3	100%
Vcl/Cb		25	0	9	3	100%
Viola		23	0	8	4	100%
Vn 1		28	0	11	8	100%
Vn 2		22	0	8	4	100%
Alto		20	0	8	6	98%
Soprano		18	0	7	7	98%
Tenor		19	0	8	6	97%
Bass		21	0	8	6	94%
Organ		33	4	13	12	72%

Arcangelo Corelli: Christmas Concerto (1690), Allegro (poss. model for JSB B Minor WTC-I prel.)

BSG

4:15	Est. Play Time
42	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		16	0	3	4	100%
		18	0	5	5	100%
Reallzation		23	32	8	7	100%
Violoncello		20	0	4	4	100%

J. S. Bach: Ist Gott versöhnt (BWV 122 #4)

BSG

4:00	Est. Play Time
62	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		21	0	6	5	100%
Contrabass		21	0	6	5	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		21	0	6	5	100%
Contrabass		21	0	6	5	100%
Realization		22	39	7	6	98%
Tenor		15	0	3	5	77%
Soprano		18	0	6	6	76%
Alto		12	0	3	5	55%
Viola		11	0	3	4	42%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

10:12	Est. Play Time
127	Measures
	3,611Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
Vcl/Cb		27	0	9	7	100%
Ob. da Cacc.		25	2	10	7	98%
Flute		22	1	9	7	90%
Bassoon		24	0	8	7	88%
Viola		26	0	10	6	88%
Violin 2		25	0	11	7	85%
Violin 1		24	0	8	7	84%
Tenor		19	0	7	6	72%
Alto		21	0	8	6	67%
Bass		21	0	8	7	62%
Soprano 1		22	0	8	6	61%
Soprano 2		20	3	8	6	53%
Church Organ		10	0	4	3	2%

J.S. Bach: Coro: Herr, unser Herrscher (BWV 245 (Johannespassion), #1)

BSG

8:48	Est. Play Time
96	Measures
	3,564Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		18	0	7	3	100%
Contrabass		18	0	7	3	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon		18	0	7	3	100%
Contrabass		18	0	7	3	100%
Vcl./Fagotto		18	0	7	3	100%
Viola		26	0	12	3	100%
Violin 1		28	0	10	3	100%
Violin 2		28	0	10	3	100%
Fl./Ob. 1		22	0	9	6	98%
Flute 1		22	0	9	6	98%
Fl./Ob. 2		21	0	8	6	95%
Flute 2		20	0	8	6	95%
Bass		22	0	9	6	78%
Tenor		20	0	8	5	78%
Alto		21	0	7	7	76%
Soprano		22	0	9	6	76%

Es ist das Heil (Eingangschor) (di BSG, 1994, 2001)

BSG

8:12	Est. Play Time
83	Measures
	4,627Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo		24	80	8	6	85%
		21	0	6	6	100%
CB		21	0	6	6	100%
Vcl		21	0	6	6	100%
Viola		20	0	7	7	100%
Vn 1		23	0	9	8	100%
Vn 2		20	0	6	6	100%
Flute		27	0	10	10	99%
Bass		18	0	6	6	49%
Sop		16	0	5	6	49%
Alto		16	0	5	5	48%
Ten		12	0	2	5	42%
Tenor Trombone		12	0	2	6	42%

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